Art Lovers Resource and Directory of Artist Websites in the City Different
Professional photography studio in Santa Fe NM for over 15 years. Kim Richardson has the skills to photograph and reproduce your artwork to museum standards. If you’re interested in printing Kim can also work with you to create stunningly accurate and beautiful reproductions on a variety of fine art archival papers or canvas.
Nüart Gallery
April 7– 23, 2023
Reception Friday April 7, 5 – 7 pm
670 Canyon Road, Santa Fe, NM
Immersive Fields brings together the work of Willy Bo Richardson and Lloyd Martin, who are both exploring the structural boundaries of abstraction through their notably singular approaches to composition. Between Richardson’s pulsating vertical strokes and Martin’s meticulously constructed grids and stripes is an immersive field of cadenced pattern and tonal curiosity. Aligning out of this intersection of form is a space of contemplation in motion where reverie and vitality converge.
Continue reading “Nüart Gallery: IMMERSIVE FIELDS”
Join Taos Winter Wine Festival, play with papier mâché art, hear stories by Robert Torres, take part in the king of all pig roasts, and look at the stars at Angel Fire Resort.
New York Times Magazine Profile 2022
written by Joshua Hunt @viajoshhunt
photographs by Cara Romero @cararomerophotography
Continue reading “Cannupa Hanska Luger Is Turning the Tables on the Art World”
SITE Santa Fe is thrilled to present Rebecca Ward: distance to venus, a solo exhibition by Brooklyn-based artist, Rebecca Ward. Employing banded, sewn, and deconstructed canvases, Ward’s work explores the line between painting and sculpture. Her work emphasizes materiality and process, as she unravels and reassembles canvas to expose underlying stretcher bars, revealing the multidimensional physical structure of the painting itself.
distance to venus features a selection of recent works (2021-2022) tracing the transformative phases of pregnancy and childbirth through the language of geometry, materiality and abstraction. Expanding upon her previous vernacular of hard angles and straight lines, Ward’s new paintings employ curves which evoke an idealized female form. As a queer person experiencing motherhood, the artist implies a separation from the archetype of the female goddess, positioning a changing body in relationship to landscape, mathematics, and celestial phenomena.
Venus, at its nearest distance to Earth, is some 38 million miles away. Navigating her 38th rotation around the sun, Ward documents this rite of passage by transcribing the immeasurable into abstract minimalist forms. The exhibition coincides with the release of a monograph entitled before & after, which includes a conversation with curator Brandee Caoba.
Rebecca Ward (b. 1984, Waco, TX) lives and works in Brooklyn, New York.
Axle Contemporary’s E Pluribus Unum project coming to Northern New Mexico
August 25- October 11, 2022
visit axleart.com for
Since 2012, Santa Fe’s mobile artspace has been traveling across the state of New Mexico working on a statewide photographic portrait project, E Pluribus Unum. The mobile gallery is outfitted as a mobile black and white photography studio. Visitors bring an object of personal significance and sit for a portrait, holding their special object.
Prints are made immediately using Axle’s solar-powered printer. One copy is given to the participant, another is pasted onto the exterior of the Axle mobile artspace. Over the course of each iteration of the project the exhibition grows to include many hundreds or thousands of portraits. At the close of each project, a book of the portraits and accompanying writing is published and the portraits are exhibited in local museums and artspaces.
Continue reading “Axle Contemporary’s E Pluribus Unum: Northern New Mexico”
Q: What does a typical day in the studio look like for you?
A: One of Pablo Picasso’s best known quotes is, “Inspiration exists, but it has to find you working.” I’d like to unpack the word “work” throughout this interview.
I start by collecting information. Some might call it “piddling around”. For example I’ll ask the question, “what is a white wall?” Then I’ll spend the next week testing different hues of white paint and explore lighting on different walls. As I piddle, I have music playing in the background, and when a good song comes on, I save it in a playlist. This new playlist will become part of the foundation for a new painting series.
This first chapter in my studio practice also includes looking, and playing with ideas around possible supports, materials and scale. I think about new methods and experiments I want to take part in. Inspiration comes in the form of a title and color parameters for the new series.
The next chapter may be what some call “work”. I am no longer gathering information, but processing. I stretch and prime, lay down colored grounds, and begin working with the first value studies. I have a sense of where I want to go, and which colors I will use, but I don’t know how it will unfold.
The final chapter is the most exciting. When the glaze layers are really taking shape, I work in a state of awe and gratitude. I lose track of time, I lose track of myself. Continue reading “Artist Spotlight with Willy Bo Richardson”