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Digital imaging is its own original printmaking medium: the original comes out of the printer, not the monitor or whatever intention the project started with. The process enables a confluence of visual sources and personal influences in the service of making something new and unique, as opposed to the republication of existing work. Digital artistry mirrors that process of construction and deconstruction through which the past becomes the new, and through which we literally make our mark. But, for me, it’s just another pencil, taking its rightful place in the continuum of human mark-making.