New Mexico Abstract Artist

Abstract art persists strongly today in New Mexico. As a premier international art hub, the state is renowned for its artistic diversity, creative excitement, and cosmopolitan ambiance. The most sophisticated art lovers and collectors come from all over the world to experience the galleries and museums that exhibit abstract art.

Santa Fe Art Studio Curated Staff picks of New Mexico Abstract Artists:

Ligia Bouton

New mexico abstract
http://ligiabouton.com/art/

Paula Castillo, Cordova, NMnew mexico curated
http://www.paulacastilloart.com/

James Drakejames drake
http://www.jamesdrake.net/bio.html

Eric Gardunoabstract artist
http://ericgarduno.net/home.html

Timothy Hornnew mexico abstract artist
http://timothyhorn.net/

Karina Heannew mexico color artist
http://karinanoelhean.com/home.html

Willy Bo Richardson

new mexico abstract artist
http://www.willyborichardson.com/

Susan Yorknew mexico artist
http://www.susanyork.com/

Jamie Hamilton (the MFA student that does tight rope walking)
No website, here’s a show at CCAnm abstract artist
http://www.ccasantafe.org/gallery/past/228-arrhythmic-visions

An Interview with Artist Donna Ruff on ‘Al-Mutanabbi Street Starts Here’

Films, a panel discussion and an exhibit commemorate a culturally active street in Baghdad that was car-bombed

Date February 1, 2013 at 3:40 PM

Author Brandon Ghigliotty

Publication SantaFe.com

Categories Art Markets & Galleries Community Culture Entertainment & Nightlife Local News & Sports

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Donna Ruff, printmaker, illustrator and Art Department faculty member for more than two years at Santa Fe University of Art and Design spoke with SantaFe.com about the “Al-Mutanabbi Street Starts Here” exhibition coming to Santa Fe the second week of February. Some of Ruff’s work is part of the international exhibition’s tour, which is visiting the SFUAD campus as part of the school’s “Artists for Positive Social Change” series. The exhibition’s opening reception, which is free and open to the public, will take place on Friday, February 8 at 5p.m. in the Fine Arts Gallery in the campus’ Southwest Annex.

SantaFe.com: Could you tell me about your current project?

Donna Ruff: In March of 2007 the street of booksellers in Baghdad, Iraq, Al-Mutanabbi Street, was car-bombed. Thirty people died and many more were injured. So you might say, car bomb in Baghdad, what else is new? But bombing Al-Mutanabbi Street was symbolic for Iraqis and indeed for all who are interested in maintaining cultural life in the Middle East. Under Saddam Hussein, there was a very closed society but writers and poets, intelligentsia, still congregated on Al-Mutanabbi Street. Even though the magazines and books, especially those from the West, were out of date, there was such a hunger for connection to the world of ideas, the street was revered by Iraqis. So bombing it was a direct hit on that world of ideas.

A poet and bookseller from San Francisco, Beau Beausoleil, read about the bombings and decided to do something to commemorate the street and those who had died. There had been a lot written about Al-Mutanabbi Street because it was so symbolic. Beau first organized a group of artists to do broadsides, or posters, responding to the bombing. The broadsides often used texts from pieces written about the street. Then Beau put out a call to book artists to do an artist’s book commemorating the street. I was one of the artists invited to do this. Each artist made three books: two of them will travel in exhibitions that have already begun, all over the world. The other book will be in the permanent collection of the National Library in Baghdad. We are hosting an exhibition of almost 100 of the books (there are 260 in all) and have several events planned. On Wednesday February 6th we will be showing two films—one, “A Candle for Shabandar Cafe,” is by a student and is about the iconic café on Al-Mutanabbi Street where everyone hung out before the bombing. The other film, “Open Shutters,” is about a photography workshop that was organized by a filmmaker from Baghdad who now lives in London. She brought women from Baghdad to Syria to teach them how to take photographs and write their life stories. It’s very moving. We have no idea how much being at war has impacted the lives of ordinary people. The workshop taught them not only about the specifics of good photography, but about how their individual experiences are important.

On Thursday February 7th we will have a panel discussion with Beau, who is coming from San Francisco to take part in our exhibition, along with me and two other artists whose works are in the show, which officially opens on Friday, with music provided by world music students. I am teaching a book arts class this semester and my students are helping curate the exhibition. These books were made by internationally known book artists—it is very special for us to have it here.

It’s important for the community to support this too. I often hear from people that the events at SFUAD are meant for the college community and people don’t know to come, or they feel they are not invited. Nothing could be further from the truth. I also want to say that part of the reason I feel it’s important to involve students and community alike is that we have so little contact with the Middle East other than seeing the images and stories of fighting and war—we think of them as the Other and it’s important to understand that they are not a bunch of terrorists looking to destroy our way of life. This is why Beau titled the exhibition “Al-Mutanabbi Starts Here.” Because this is the narrative for all of us who are interested in art and literature, who want people to be able to argue ideas, get lost in a book, see what’s happening outside their small world. And I might mention that the street was bombed again recently, just as the booksellers were starting to rebuild. The deliberate destruction of centuries of artifacts and important works of art has been very disheartening to see. Remember that writing was invented in that part of the world. Compared to the cultural history that began in the Middle East, our history in the West is rather recent.

SFDC: It’s unfortunate to hear about another bombing there. It isn’t a crime to want to break out of a cultural bubble.

DR: Not a crime here, but in so much of the world it is. I mean, we could talk about so many areas where there is no freedom of speech whatsoever, where even getting a polio shot is forbidden because the idea has been circulated that it’s a Western plot to sterilize children. We are so lucky to live in this country. But the human spirit is so strong—you can see it in the women featured in the film we’re showing. We need to be reminded of this because it’s so easy to forget it. So ultimately this whole project is about optimism. Beau specified that the books were not to be memorial pieces. They are to celebrate books as containers of information and hope. When a government wants to instill fear and power, books are the first things they destroy. But they will not disappear—there will always be a way for ideas to grow and flourish.

SFDC: And we’re in the information age now. Digital circumventing of these blockades has already begun. It’s rather pathetic to take lives against a tide of change like the one that’s poised.

DR: Absolutely, social media and the internet have been the lifeline of change and democratic revolt. So one hopes that this can continue even when access to the Internet is shut down by despotic government forces.

 

Donna Ruff, Rabii. 2012

Lauren Camp, Versions: A Deconstruction. 2012

Suzanne Vilmain, Untitled: A Collection of Maps for Al-Mutanabbi Street – Baghdad,

An Evening with Zen Master and Calligrapher Shodo Harada Roshi

TUESDAY, FEBRUARY 26
6:00 pm

Explore the art of calligraphy during a demonstration by Zen master Shodo Harada Roshi.  After a brief overview of calligraphy’s history, the Roshi will share his personal journey both as a monk and with this spiritual art form.   Creating large-scale scrolls in St. Francis Auditorium, he will demonstrate the process behind this Zen practice.

A translator will provide on-going commentary to the Roshi’s live demonstration.  A closed-circuit video feed will provide the audience an almost up-close viewing experience.  The scrolls will be on view after the demonstration.

The scrolls, other calligraphy art, and the Roshi’s books will be available for purchase after the demonstration.

Co-presented with the One Drop Zen Community of Whidbey Island, Puget Sound, Washington.

6:00 to 8:00 p.m.

$5 suggested donation at the door.

New Mexico Museum of Art
107 West Palace Avenue
Santa Fe, NM 87501

General Information: 505-476-5072

ArtBeat: Art on the Radio

ArtBeat: January 24, 2014

“Arts attorney Talia Kosh and art writer Iris McLister on ‘fair use’…”

By ArtBeat

Art on the Radio

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Listen to art on the radio with ArtBeat, hosted by Kathryn M Davis, every Friday morning from 11 to noon on KVSF, 101.5, the Voice of Santa Fe.

This week’s podcast features arts attorney Talia Kosh and art writer Iris McLister on “fair use” as it relates to appropriation art, in particular the Richard Prince case currently being decided in New York.

Blogs by ArtBeat

Topic: Art on the Radio

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January 27, 2014 at 11:52 AM

ArtBeat: January 24, 2014

“Arts attorney Talia Kosh and art writer Iris McLister on ‘fair use’…”

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January 10, 2014 at 4:26 PM

ArtBeat: January 10, 2014

“Part two of the ‘Primer to the Philosophy of Art’ with Meg Hachmann.”

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January 3, 2014 at 5:29 PM

ArtBeat: January 3, 2014

“Meg Hachmann reviews our Western history of philosophy, from Plato to Martin Heidegger.”

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December 13, 2013 at 4:50 PM

ArtBeat: December 13, 2013

“Renaissance to Goya: Prints & Drawings from Spain opening this Saturday at the New Mexico Museum of Art.”

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December 6, 2013 at 5:25 PM

ArtBeat: December 6, 2013

“Abstraction at the Patina Gallery and Renaissance to Goya: Prints & Drawings from Spain at the New Mexico Museum of Art.”

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November 22, 2013 at 4:44 PM

ArtBeat: November 22, 2013

“Michael Carroll of Turner Carroll Gallery for a new group show, Idle Hands and the Jane Sauer Gallery’s new name, Tansey Contemporary.”

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November 15, 2013 at 4:20 PM

ArtBeat: November 15, 2013

“This week’s podcast features Recycle Santa Fe Art Festival artists and coordinators.”

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November 1, 2013 at 1:48 PM

ArtBeat: November 1, 2013

“This week’s guests: Jerry Wellman of Axle Contemporary, Thomas Lehn of Design Santa Fe and Irene Hoffmann of SITE Santa Fe.”

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October 11, 2013 at 4:32 PM

ArtBeat: October 11, 2013

“Kathleen McCloud at the Ernesto Mayans Gallery and Santa Fe Gallery Association members Kathrine Erikson and David Eichholtz talk Art Matters.”

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October 4, 2013 at 2:39 PM

ArtBeat: October 4, 2013

“New chief curator at the Georgia O’Keeffe Museum Cody Hartley and SITE Santa Fe’s SPREAD 4.0.”

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September 27, 2013 at 3:57 PM

ArtBeat: September 27, 2013

“Photographers Janet Russek and Nevada Wier at the Verve Gallery of Photography and Tom Miller at Zane Bennet.”

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September 13, 2013 at 3:13 PM

ArtBeat: September 13, 2013

“A new show, Limitless opens at Eggman & Walrus on September 13 and Linda Durham talks about The Wonder Institute.”

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September 6, 2013 at 2:03 PM

ArtBeat: September 6, 2013

“This week on ArtBeat: Alexandra Eldridge with a new show at the NuArt Gallery and Allan Graham also opens a new show at the David Richard Gallery.”

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September 4, 2013 at 9:21 AM

ArtBeat: August 30, 2013

“Jamie Chase at the Matthews Gallery and 20th century photography at Scheinbaum & Russek Ltd.”

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August 16, 2013 at 4:08 PM

Paul Frank Fashions and IAIA Collaboration

“The fashion collection will be showcased during a panel and event—free and open to the public—at MoCNA on Friday, August 16”

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July 26, 2013 at 2:59 PM

Enrique Martínez Celaya Shows in Santa Fe

Interview with Irene Hofmann about Cuban-born artist Enrique Martínez Celaya’s exhibition, The Pearl at SITE Santa Fe.

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July 15, 2013 at 2:38 PM

Art Beat: July 12, 2013

“This week’s show covers new exhibitions at the Center for Contemporary Art Santa Fe and Chiaroscuro Contemporary Art.”

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July 5, 2013 at 3:09 PM

Art Beat: July 5, 2013

“Tonya Turner, co-owner of the Turner Carroll Gallery, with artist Hung Liu, who trained in mural painting at Beijing’s Central Academy during Mao’s Cultural Revolution.”

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June 28, 2013 at 2:17 PM

Art Beat: June 28, 2013

Zane Bennett Contemporary Art Special Projects: Robert Dean Stockwell’s dice-loaded Cleromancy and the Projections New Media Show.

– See more at: http://www.santafe.com/blogs/art-beat#sthash.rPuBdVAP.dpuf

Shepard Fairey to Design and Paint a Mural at Santa Fe University of Art and Design

Fairey will also participate in a lecture and Q&A conversation for the campus and wider Santa Fe community

Santa Fe University of Art and Design (SFUAD) announced today that contemporary artist and graphic designer Shepard Fairey will visit Santa Fe for a lecture and Q&A discussion and will create a mural design as part of the university’s 2013–2014 Artists for Positive Social Change series. The lecture and Q&A, free and open to the public, will be hosted by Graphic Design Department chair David Grey and held at SFUAD’s Greer Garson Theatre on Sunday, Feb. 17, at 7 p.m. Fairey will also design and paint a permanent outdoor campus mural during the week of Feb. 18.

Launched in 2011, Artists for Positive Social Change is a university-wide series of events, courses, lectures and performances exploring a specific theme relevant to society and the work of artists who push the creative boundaries of their profession. This year’s theme is “Art and Political Activism.”

Over the past 20 years, Fairey has seen a meteoric rise to become one of the most influential contemporary artists today, with a multitude of international mural projects and exhibitions that began in the early 90’s.  In 1989, while attending Rhode Island School of Design, Fairey created the “Andre the Giant has a Posse” image, which ignited and evolved into the present-day OBEY GIANT campaign. Though they started with an absurd sticker, the OBEY GIANT graphics have since taken cues from popular culture, commercial marketing and political messaging to change the way people see art and the urban landscape.

In 2003, Fairey founded Studio Number One, a creative firm dedicated to applying his ethos wherever art and enterprise intersect. Building on Fairey’s approach to designing striking, thought-provoking work, the company has evolved into its own creative entity and become one of the top boutique agencies in the country. The firm has produced artwork for a number of high-profile bands and motion pictures, including the Black Eyed Peas, the Smashing Pumpkins, Flogging Molly, Led Zeppelin, and the film Walk the Line.

In 2008, his portrait of then-Democratic candidate Barack Obama, with the word ”HOPE” under the illustration, became an internationally recognized emblem of the Obama campaign and a symbol of political change for many. The artwork now resides in the Smithsonian Institution in its National Portrait Gallery as an official presidential portrait.

“I enjoy any opportunity to share my work and my philosophy that art can be about aesthetics and escapism, but simultaneously ideas and engagement,” said Fairey. “I strive to erode the perceived barriers between fine art and graphic art. My public art and many other chosen platforms are democratic and invite the audience into the dialog.”

Along with the Obama campaign, Fairey has also donated artwork and made contributions to charitable organizations and causes such as the ACLU, MoveOn, Hope for Darfur, the Chiapas Relief Fund, marriage equality reform, 11th Hour Action, Hurricane Katrina relief, The Art of Elysium, Southern California fire relief, shelters for L.A. teens, children’s charities in Iraq and the United States, Free the West Memphis 3, Feeding America, Adopt-a-Pet.com and the Rush Philanthropic Arts Foundation.

Fairey has continued to progress with his art, with a 20-year retrospective museum exhibition that began at the Institute of Contemporary Art, Boston, in 2009 and continued to the Andy Warhol Museum in Pittsburgh and the Contemporary Art Center in Cincinnati. Last year, he was commissioned by Time Magazine to design a cover in celebration of “The Protester,” an anonymous figure representative of momentous world demonstrations such as the Arab Spring and Occupy movement. It was his second Time cover. He has also designed covers for Rolling Stone and Esquire magazines.

“Few visual artists working today have impacted contemporary culture as Shepard has,” said David Scheinbaum, SFUAD’s director of photography and artist-in-residence, who spearheaded the Artists for Positive Social Change initiative. “Not without controversy, Shepard is an artist who has stayed consistent with his message and offered his work for use by numerous politically active groups, as well as to reinforce his own thoughts and opinions.”

Other events in this year’s Artists for Positive Social Change series have included a multimedia presentation by arts supporter and musician Tom Maguire called Barbarians at the Gate – Stravinsky, Diaghilev & the Ballets Russes, as well as a simulcast of New York’s Creative Time Summit, whose theme was “Confronting Inequity.” Additional events will be announced in the spring.

Tickets will be required for community admittance to the lecture and Q&A on Feb. 17 and can be picked up free of charge in early February. No reservations will be accepted; a maximum of four tickets will be given to individuals on a first-come, first-served basis.

For more on Fairey and OBEY GIANT, visit www.OBEYGIANT.com.

About Artists for Positive Social Change
Santa Fe University of Art and Design’s Artists for Positive Social Change is a groundbreaking, university-wide series of events, lectures and performances that highlights one theme each year as part of a five-year initiative. All departments of the university engage in an in-depth exploration of the chosen theme, discussing the work of relevant artists who have respectfully and fearlessly pushed the creative boundaries of their medium. During the initiative’s inaugural 2011–2012 academic year, Artists for Positive Social Change focused on hip-hop not just as entertainment, but as a significant form of communication and a cultural force around the world.

About Santa Fe University of Art and Design
Santa Fe University of Art and Design is an accredited institution located in Santa Fe, New Mexico, one of the world’s leading centers for art and design. The university offers degrees in arts management, contemporary music, creative writing, digital arts, graphic design, film, performing arts, photography and studio art. Faculty members are practicing artists who teach students in small groups, following a unique interdisciplinary curriculum that combines hands-on experience with core theory and prepares graduates to become well-rounded, creative, problem-solving professionals. As a Laureate International Universities Center of Excellence in Art, Architecture and Design, the university boasts an international student body and opportunities to study abroad, encouraging students to develop a global perspective on the arts. Santa Fe University of Art and Design is accredited by The Higher Learning Commission and a member of the North Central Association, www.ncahlc.org.

Upcoming SFUAD Campus Events

Upcoming SFUAD Campus Events!

All events are free and open to the public unless otherwise noted

Monday, Dec. 2

6:00 p.m., Santa Fe Art Institute

Exhibition: The Unfolding Center

Poetry and Drawing: A Collaborative Project by Arthur Sze and Susan York

A collaborative exhibition featuring a single work of art composed of drawings and poetry by poet Arthur Sze and SFUAD’s President’s chair of the Art Department, sculptor Susan York.

Eleven diptychs comprised of 22 densely layered graphite works on paper by York are interleaved into an extended, multi-voiced poem by Sze. Together they explore, embody, and enact shifting points of
tension to arrive at a liminal space where all things are possible.

Radius Books will pre-release a hardcover version of this project in conjunction with this exhibition that will be for sale.

 

Wednesday, Dec. 4

7:00 p.m., O’Shaughnessy

Concert: African Drum Ensemble

Fred Simpson, director

 

Thursday, Dec. 5

5:00 p.m., Fogelson Library

Graphic Design BFA Senior Thesis Exhibition: Marco Lukini

Senior graphic design student Marco Lukini will have a 140-page designed / printed / published manifesto / educational paperback book and both exploratory- and real-world commissioned projects (an exhibition of more than 40 posters and album covers and magazines) that express his perspective and understanding of graphic design.

In addition, the Graphic Design Department will be showcasing the beautiful, complex 100+ page books that each of the four graphic design seniors curated and designed (as an entire semester-long project) as an “opening act” to Lukini’s Thesis Exhibit. These books will be displayed for all to see at the entrance of Fogelson Library during the evening.

 

 

7:00 p.m., O’Shaughnessy

Concert: Balkan/Mideast Ensemble

Polly Tapia Ferber, Melanie Monsour, and Paul Brown, directors

 

Friday, Dec. 6

5-7 p.m., Thaw & Tishman

Materialize Exhibition

Art Department student work will be on display!

6-8 p.m., The Squish

The Gift Art Auction

Art Department student work for sale. See http://thegift.sfuadart.com/ for more information.

6:00 p.m., EVOKE Contemporary Gallery, 130 Lincoln Ave., Santa Fe
Collegium XXI and Percussion Ensemble
Steven Paxton and Angela Gabriel, directors

7:00 p.m., Weckesser Studio Theatre

Music Theatre Workshop Performance

Guided by a student narrator, the performances explore the tragedy, passion and comedy behind the seven deadly sins. The 11 Musical Theatre Workshop players perform in solos, duets, trios and ensembles that feature a variety of musical numbers — from classic movie musicals to more contemporary tunes. Directed by contributing faculty member Sarah Weiler. Music direction by contributing faculty member Charles Tichenor. Choreography by PAD student Daniel Hagy (’14)

 

$5 at the door, one hour before showtime.

 

7-10p.m., Alexis Hall

Ephemera II

 

Ephemera is returning for another night of incredible work by the talented students of Santa Fe University of Art and Design. A mixed curated showcase of mixed submitted work that range from graphic design, illustration, video installation, photography, and drawing. Come join us at Alexis Hall on Dec. 6th at 7:00 p.m. to 10:00 p.m. to see what’s hanging on the walls and what the students of SFUAD have been working on!

 

 

 

9:00 p.m. – KNME, Channel 5

The Film School’s Chris Eyre Interviewed on New Mexico PBS on a show called COLORES

10:00 p.m., O’Shaughnessy
Late-Night Funkstravaganza with the Funk/R&B Ensemble
Pete Williams, director

Saturday, Dec. 7


3:00 p.m., O’Shaughnessy
Candelaria Alvarado Senior Concert
The concert features jazz, classical and original electroacoustic works.

7:00 p.m., O’Shaughnessy
Jazz Ensemble and student jazz groups
Ross Hamlin, director 2.07

7:00 p.m., Weckesser Studio Theatre

Music Theatre Workshop Performance

Guided by a student narrator, the performances explore the tragedy, passion and comedy behind the seven deadly sins. The 11 Musical Theatre Workshop players perform in solos, duets, trios and ensembles that feature a variety of musical numbers — from classic movie musicals to more contemporary tunes. Directed by contributing faculty member Sarah Weiler. Music direction by contributing faculty member Charles Tichenor. Choreography by PAD student Daniel Hagy (’14)

$5 at the door, one hour before showtime.

Sunday, Dec. 8

3:00 p.m., O’Shaughnessy
    Gamelan Ensemble
Sharon Eliashar and Jenny DeBouzek, directors

7:00 p.m., Greer Garson Theatre
University Chorus, with guest jazz trio Wind Up Birds
Steven Paxton, director

Acoustic Americana Ensemble
Tom Adler, director